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OTTO 958 Tent Poncho (Montbell readymade)
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OTTO 958 Carryall (Montbell readymade)
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The first section of the Manifesto also states that Fluxus intends to purge the world of such other symptoms of “bourgeois sickness” as intellectual, professional, and commercialized culture. In one letter, Maciunas declares that “Fluxus is anti-professional.”
Fluxus: Magazines, Manifestos, Multum in Parvo
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Veggie two tone active LS T
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George Maciunas, Manifesto, 1963
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Meaty two tone active SS T
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Some writers have so confounded society with government, as to leave little or no distinction between them; whereas they are not only different, but have different origins. Society is produced by our wants, and government by our wickedness.
1776: (Paine) Common Sense
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Gido Parka - Black, Green, Navy
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Noland, detail
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Gido LS T - Washed Black
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When first I took up my abode in the woods, that is, began to spend my nights as well as days there, which, by accident, was on Independence day, or the fourth of July, 1845, my house was not finished for winter, but was merely a defense against the rain …
Where I Lived and What I lived For
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Bows and Arrows
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The Industrial Revolution and its consequences have been a disaster for the human race. They have greatly increased the life-expectancy of those of us who live in “advanced” countries, but they have destabilized society, have made life unfulfilling, have subjected …
The Manifesto
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In His Own Words - Theodore John Kaczynski
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Gido Pant - Black, Green, Navy
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Fairbanks Bus 142
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James Gallien had driven five miles out of Fairbanks when he spotted the hitchhiker standing in the snow beside the road, thumb raised high, shivering in the gray Alaskan dawn. A rifle protruded from the young man's pack, but he looked friendly enough …
Death of an Innocent
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OTTO 958 Logo Hat - Black
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video-12-11-2019-19-24-41.jpg
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Kiko Kostadinov, OTTO 95.8, Installation view 01
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Photo 05-11-2019, 23 38 25
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Photo 05-11-2019, 20 36 46
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Kiko Kostadinov, OTTO 95.8, Installation view 02
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Photo 11-11-2019, 21 51 00
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Photo 12-11-2019, 18 45 14
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Kiko Kostadinov, OTTO 95.8, Installation view 03
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Photo 12-11-2019, 01 13 53
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Photo 13-10-2019, 16 21 06
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Kiko Kostadinov, OTTO 95.8, Installation view 04
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Photo 24-10-2019, 11 38 32
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Photo 13-11-2019, 23 44 29
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Kiko Kostadinov, OTTO 95.8, Installation view 05
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Photo 16-11-2019, 04 22 46
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I’ve spent a lot of time considering the art of Hélio Oiticica. I’ve looked at his work for years, vaguely modeling certain gestures of my own in relation to specific objects he made, and events he staged.
Double Layers by Tom Burr – One Hélio
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Kiko Kostadinov, OTTO 95.8, Installation view 06
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Photo 21-10-2019, 22 11 57
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Photo 16-11-2019, 04 24 08
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Kiko Kostadinov, OTTO 95.8, Installation view 07
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Photo 16-11-2019, 03 51 25
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Kiko Kostadinov made a particular coat. He spent time considering my art, the way I apply pieces of clothing, often my own, to structures, and the specific way I pin those pieces in place, enunciating that exact instance.
Double Layers by Tom Burr – Two Kiko
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Photo 13-11-2019, 22 36 41
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Kiko Kostadinov, OTTO 95.8, Installation view 08
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Photo 23-10-2019, 22 44 51
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Photo 26-10-2019, 18 34 48
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Kiko Kostadinov, OTTO 95.8, Installation view 09
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Photo 24-10-2019, 22 25 28
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Photo 18-10-2019, 19 37 11
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Kiko Kostadinov, OTTO 95.8, Installation view 10
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Photo 26-10-2019, 17 41 41
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Photo 26-10-2019, 13 59 43
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Kiko Kostadinov, OTTO 95.8, Installation view 11
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Photo 03-11-2019, 11 32 08
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Photo 06-11-2019, 01 52 36
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Photo 13-11-2019, 22 59 38